Jason Mena

• About
• Biography
• Contact

• 2019-2021
• The Fall
• Watch It Burn
• Hold the Line
• Deep Pockets (Inside Out)

• 2016-2018
• By Reason or by Force
• Untitled (Tension)
• Victoria Sobre El Sol
• Untitled

• 2013-2015
• Untitled (Faux Crown)
• Untitled (Moneta)
• Untitled (Swap)
• Myth and Measurement
• El Universal
• Entfremdung

• 2006-2012
• Salario Mínimo
• Untitled (Cloud)
• Masa Fria
• XXXXXXXXXX
• Lists
• Fault Line
• Untitled (Façade)
• Crossings
• Failed States
• Status Quo
• Confusion of Tongues
• La dosis hace al veneno
• Black Money
• Insurgentes
• Absences and Nothingness
• Passwords
• 1971
• Lights out for the territory
• The Course of Empire
• Ideological Landscapes

• 1995-2005
• Expanded Proportions
• Meaningless Work
• Another Perfect Day
• The State Illusion
• Sidosi

• Exhibitions
• Nothing is Mine Everything is Stolen
• Entanglements: Before and After NAFTA
• Victoria sobre el sol
• Después de la fiesta
• Coste de Oportunidad
• Horario de Oficina
• All of this and nothing
• Turn on the bright lights
• Los irrespetuosos
• The Dialectic City
• Lights out for the territory
• We all shall play in the ruins
• We have as much time as it takes

• News
• 2021
• 2020
• 2019
• 2018
• 2017
• 2016
• 2015
• 2014
• 2013
• 2012
• 2011
• 2010
• 2009
• 2008
• 2007
• 2006

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© 2021 Jason Mena

Hold the Line 2020
Single-channel video 16:9 full HD
Duration: 00:01:57

A line was traced with chalk along the left handrail of an electric escalator located within Mexico City Metro Station Aquiles Serdán in the direction of Barranca del Muerto, following the escalator's course of travel while remaining in a fixed position beside the escalator until an uninterrupted circle was formed. This action was realized during the coronavirus lockdown.